![]() For the third season, The Subways, Tom Vek, and Cobra Verde all made guest appearances performing in The Bait Shop. In the episode " The Return of the Nana", Seth and Ryan visit Miami, and end up at a spring break style party where rapper T.I. Other artists to perform at the club that season were The Thrills, Rachael Yamagata, and Death Cab for Cutie. Although not strictly playing himself, actor Peter Gallagher (as Sandy Cohen) had previously sung on Broadway and in the episode " The Power of Love" he serenades his wife Kirsten by singing a cover of Solomon Burke's "Don't Give Up on Me" at The Bait Shop. ![]() For the second season, a club called the Bait Shop was introduced, and early on in the season the bands The Walkmen, The Killers, and Modest Mouse all featured on the show playing at the club. For the first-season finale, singer Jem performed a cover of Paul McCartney's " Maybe I'm Amazed". Rooney were the first act to perform on the show when the adolescents go to a concert as part of the episode " The Third Wheel". The actual filming location was the northeast corner of Redondo Beach pier. I think it's just going to be a real iconic set for the show." Because it's pier-adjacent, we get to go out there and shoot out by the water at night, too. It's been a great set for us and it's a great place for the kids to hang out. It's on the pier and the idea was that maybe, once upon a time, it was an actual bait shop and now it's been converted into this rock club. New character Alex works there and Schwartz described her as "our ' Nat', if you will." Schwartz described the venue:īasically the Bait Shop is a little bit modeled after clubs like The Troubadour in Los Angeles or CBGB in New York, meaning it's kind of got more of a down, kind of older feel. It was an undeniable reference to Beverly Hills, 90210's "Peach Pit". The Bait Shop is introduced in the second season as a new night club and concert venue on the pier. The filming location of The Bait Shop, the concert venue that stages performances in the second and third seasons The Bait Shop He stated that "once lawyers, managers, and the rest of the entourage get their piece, the artist may only see a fraction of the payout." Although exact figures are not known, Les Watkins, a music lawyer from Los Angeles, estimated that "a song by an emerging artist could fetch up to $20,000 or $30,000" and this is jointly split between record label and the songwriter/publisher. However, Jimmy Tamborello, producer for The Postal Service, commented that it was just because "we're cheaper". Shawn Rogers, Sub Pop's creative director of film and TV licensing, said that the show's choice of music was to "support bands and the style of music that they've been following" adding that artists were willing because "it pays well in comparison to what most indie bands make touring". Christopher Tyng, who composed the theme for Futurama, composed the show's orchestral music which included the ending theme. ![]() made indie rock a "main focus of the series" and also its marketing plan. Each week Patsavas created a compilation from the new releases sent into the producers, and at times they were being "sent around 400 or 500 CD's a week". The reason " California" became the theme to show was because "Josh Schwartz loved the way it worked in a scene in the pilot." At other times they watch the episodes' editors cut and pitch song ideas for specific scenes. On another occasion Schwartz went to Phantom Planet and asked for a mellow version of California. For example, for an episode Schwartz had scripted a cover of " Champagne Supernova", got permission from Oasis and collaborated with band Matt Pond PA to write a cover of it for the show. Patsavas stated that Schwartz scripted a lot of the music, with some songs being selected before she saw the episode script. In an interview with IGN, Schwartz said that he had "always intended that music be a character on the show" and music was selected in two ways: either it was written into the script or it was selected to suit a scene. Patsavas worked alongside creator Josh Schwartz, in selecting the music to be used. Show creator Josh Schwartz, who wanted music to feature prominently in the showĪlexandra Patsavas, who had previously worked on shows including Roswell and Carnivàle, was appointed as music supervisor on The O.C.
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